The shimmer n the finesse on the surface of the glass has its own appeal. The tenacity is unquestionable as it depicts clarity, substance, magnificence, smoothness n originality. A clear glass sans abrasion is always in demand and attracts the eye even if it’s opaque, translucent, brittle or otherwise. Likewise, our health is the key to happiness. The effervescence of youth, vigor, vitality and spunk takes us places to an uninterrupted path of achievements. One feels like the king of the world as everything seems attainable with a little quest, luck and hard work. The cracked glass or the scratches it leaves on the surface lead to an ugly feeling which has no remedies. Terminal Illnesses creep in our lives slowly without warning. We ignore the minute signals which our body sends to us just like the visible scratches. Optimism pervades fortitude. An aching arm or knee, the sweet pain in the belly or head, the unease in the gait or muscle gains momentum without notice. The perpetual signs are ignored sometimes due to negligence, sometimes cause of lack of time and sometimes with no reason at all thus leading to further damage with no rectifications. Gradually the originality is replaced with artificial drugs which bring quick relief so as to resurface again. The scratches never leave us for once. The canvass of our lives is marred with that dark hue permanently. The illness soars to dizzy heights of remorse thus pushing the individual to the dungeons of ill health. The progress is slow which makes the individual weak, sorry and lifeless. Some fight it out with sheer determination n rest bite the dust.
The crack is a permanent fixture with no replacements. Terminal illnesses like glasses leave us with no choice. It remains till the time is up for its final exit. So why do we ignore the warning signs so complacently that’s the question? A stitch in time saves nine, it’s time we brush on our kindergarten anecdotes so as to save ourselves from further damage of a permanent scar of a terminal illness on our healthy lives .
